John Shand Posts

September 22, 2013 / Features - Archive

I spoke Ute Lemper, the modern queen – some would say goddess! – of cabaret, on the eve of her 2013 Australian tour… John Shand: How did the Pablo Nerua project come about? Ute Lemper: After having done this Bukowsky project, where I set the Bukowsky poetry to music I…

September 4, 2013 / Album Reviews - Archive

Paul Motian (ECM) It was none other than Keith Jarrett who, around 1970, sold a piano to Paul Motian. Motian, already one of jazz’s key drummers, had a head swimming with melodies, many of them carrying echoes of his Armenian/Turkish heritage. Now he learned notation and began to formalise them.…

August 28, 2013 / Concert Reviews - Archive

Art Gallery of NSW, August 23 At his best Tim Draxl is so far ahead of whoever is second in Australian cabaret that were it a horse-race the stewards would hold an inquiry. His instincts as a singer shame most pedlars of either jazz or musical theatre. In fact why…